Editorinnen & Editoren
DER LIVING BOOKS ABOUT HISTORY
Guido Koller arbeitet beim Dienst Historische Analysen des Schweizerischen Bundesarchivs.
Tara L. Andrews is Assistant Professor of Digital Humanities at the University of Bern.
http://www.dh.unibe.ch/ueber_uns/personen/prof_dr_andrews_tara_l/index_ger.html
Daniel Speich Chassé is Assistant Professor for Modern History at the University of Lucerne.
https://www.unilu.ch/fakultaeten/ksf/institute/historisches-seminar/mitarbeitende/daniel-speich/
Martin Lengwiler is Professor for Modern History at the University of Basel.
https://dg.philhist.unibas.ch/departement/personen/person-details/profil/person/lengwiler/
Beat Stüdli ist Assistent am Departement Geschichte der Universität Basel.
https://dg.philhist.unibas.ch/departement/personen/person-details/profil/person/stuedli/
Almut Höfert ist SNF-Förderprofessorin am Historischen Seminar in Zürich für transkulturelle Geschichte des arabischen und lateinischen Mittelalters.
Sebastian Schüpbach war Projektmitarbeiter des Schweizerischen Bundesarchivs. Heute arbeitet er als Projektmitarbeiter bei linked.swissbib.ch.
Valérie Schafer has been a Professor in Contemporary European History at the C²DH (Luxembourg Centre for Contemporary and Digital History) at the University of Luxembourg since February 2018.
She previously worked at the CNRS in France and is still an Associate Researcher at the Center for Internet and Society. She specialises in the history of computing, telecommunications and data networks. Her main research interests are the history of the Internet and the Web, the history of digital cultures and infrastructures, and born-digital heritage. She is currently involved in several research projects related to web archives and digital cultures (i.e, the HIVI Project related to the history of online virality).
She is the author of La France en réseaux (1960/1980) (Nuvis, 2012) ; En construction. La fabrique française d’Internet et du Web dans les années 1990 (2018) ; Le Minitel, l’enfance numérique de la France with Benjamin Thierry (Nuvis, 2012); La neutralité de l’internet, un enjeu de communication with Hervé Le Crosnier (CNRS Editions, 2011) ; and co-editor with Benjamin Thierry of Connecting Women. Women, Gender, and ICT in Europe (Nineteenth-Twentieth Century) (Springer, 2015).
Alexandre Serres is senior lecturer in Information and Communication Sciences at the University of Rennes 2.
Martine Clouzot is Professor of medieval history at the University of Burgundy (France).
Marie-José Gasse-Grandjean is a Research Engineer at the Centre National de Recherche Scientifique, University of Burgundy (France).
She has a dual training, she works, publishes, in both medieval history and about digital tools. Her doctoral research was dealing with the books and manuscripts of the Vosges abbeys in the Middle Age. Then she was very committed to two pioneer IT projects in diplomatic discipline, Chartes originales antérieures à 1121 conservées en France (Artem project, 1994-2004) and Chartae Burgundiae Medii Aevi (CBMA project, 2004-2014). She is currently involved in the project of Dictionnaire topographique de la France (CTHS) and the FolimageS project (UMR ARTEHIS). Her publications focus on both the medieval rural history (bannus, obituary, cartulary-register, pancarta, charter-inscription, curtilum, cellula, toponyms) and the tools of this research (database, list and index, medieval Latin dictionary, text mining tool, digitization, electronic publication, website, geolocalisation).
Anthony Glinoer holds the Canada Research Chair in the History of Publishing and the Sociology of Literature and is a professor at the Université de Sherbrooke (Québec).
His work focuses primarily on the history of publishing (Naissance de l’Éditeur. L’édition à l’âge romantique with Pascal Durand in 2005), on the literary imaginary (La bohème. Une figure de l’imaginaire social in 2018, co-direction of Imaginaires de la vie littéraire in 2012 and of Romans à clés in 2014) and on groups of writers and artists (L’âge des cénacles with Vincent Laisney in 2013). Anthony Glinoer also launched the Socius Project which encompasses new editions of classics in the social theory of literature, reedited or original bibliographies and a glossary of concepts assembled by an international team (see the open-access site ressources-socius.info). He is presently directing an international research project on the archives of publishers in the international Francophonie (see the open-access site archiveseditoriales.net).
François Vallotton is Full Professor of Contemporary History at the University of Lausanne. His research focuses on cultural and media history from a Swiss and transnational perspective.
After completing a thesis on the history of francophone Swiss publishing, he collaborated on an editorial project devoted to the history of the Swiss Broadcasting Corporation, the third and final volume of which was published in March 2012. Since 2003, he has developed numerous teaching and research projects on the history of radio and television with the broader aim of integrating audiovisual sources into a history of the contemporary. In 2016, he co-directed the Swiss National Science Foundation project "Beyond Public Broadcasting: Towards an Expanded History of Television in Switzerland, 1960-2000" with Anne-Katrin Weber. The main ambition of this project was to propose a new critical perspective on the field of television history, the theoretical preconditions of which this Living Book aims to specify. Co-founder of the Interdisciplinary Center for Historical Sciences and Culture at the University of Lausanne, François Vallotton is a research associate at the Center for Cultural History and Contemporary Societies at the University of Paris Saint-Quentin-en-Yvelines and co-founder of the METIS network, which aims to link different European institutes working on cultural history.
Dr. Anne-Katrin Weber is currently a Nomis Fellow at eikones - Center for the Theory and History of the Image at the University of Basel. Her research focuses on the archaeology of television.
Her first monograph on television exhibition in the interwar period will be published by Amsterdam University Press in 2022. She co-edited La télévision du téléphonoscope à Youtube: pour une archéologie de l'audiovision (with Mireille Berton, Antipodes, 2009) and has published several journal issues, including a special issue of View: Journal of European Television History and Culture ('Archaeologies of Tele-Visions and -Realities,' with Andreas Fickers, 2015) and Transbordeur. Photographie, Histoire, Société (‘L’image verticale. Politiques de la vue aérienne,’ with Marie Sandoz, 2022). Her articles have appeared in journals such as Grey Room, Necsus, and Relations internationals, among others. In 2016, she co-directed the Swiss National Science Foundation project Beyond Public Broadcasting: Towards an Expanded History of Television in Switzerland, 1960-2000" with François Vallotton. The aim of this project was to renew critical perspectives on the field of television history. The present Living Book is the result of this collaboration.
Matthias Höfer is a PhD researcher at the Centre for Contemporary and Digital History (C²DH) at the University of Luxembourg.
After completing a bachelor’s in History and Communication Science, Höfer obtained his master’s degree in History at the University of Bamberg in 2021 with a thesis about rituals of public penance in the 13th century, focusing on their role as public forms of communication and conflict-resolution in a semi-oral society. His research interests lie in cultural history, as well as in media and communication history. He is affiliated with the PopKult60 project.
In his dissertation, Höfer explores the advertising landscapes in Luxembourg, Germany and France for television sets, record players, radios, tape- and cassette recorders in the “long” 1960s from a transnational angle. With regard to advertisements for such technical and media consumer goods, Höfer considers the dimension of gender to play an important role. Overall, he aims to connect two levels of analysis in his work, looking not only at the advertisements for the consumer goods themselves, but also at the process behind the scenes.
Carmen Noguera is a PhD researcher at the Centre for Contemporary and Digital History (C²DH) at the University of Luxembourg.
She has a degree in journalism from the University of Seville, followed by a DEA (post-graduate diploma of advanced studies) on the EU and International Relations from the Complutense University of Madrid. With over 15 years of experience in digital marketing and communications, she has worked in communication agencies, international organizations and the private sector. Throughout her career, she focused on developing marketing and communications strategies and specialized in corporate e-reputations, digital footprints, Social Media Management, digital mentorship, and personal branding coaching.
Always interested in the impact and evolution of digital media in society, Noguera now explores the digitalization of Luxembourg since the 1990s as a PhD researcher, focusing on the user's point of view. Her thesis is currently titled Digital cultures and their development in Luxembourg (the late 90s to the present day) and is part of the A History of Online Virality (HIVI) project.